The morning brought news that Fidel Castro had died at the age of 90. A click to The New York Times brought me to this video that has some of the amazing work that Jack Manning did during a short trip to Cuba in 1964. Even if you turn the sound down (which I don’t recommend you do, as Richard Eder’s story is fascinating), the images are a text book example of how to document a person within their place and time.
If you were looking for a gift for your favorite professor or decided this was the time to invest in artwork, head over to Peter Turnley’s print sale.
There’s a lyrical sense to his work that I have loved for decades. Yeah, they are expensive, but this is another revenue stream for wonderful documentary work. And #12 is just such a wonderful moment …
It’s time to vote for openings on the National Press Photographers Association’s board of directors and a couple of regional chairs. I started reading through the bios for all the candidates this morning – there are some phenomenally good people running this year, choosing just two for the board will be brutal.
Think deeply about what you want our of our association – and, remember, it is ours. We are members and not subscribers. Read the bios, ponder deeply and get your vote cast by November 30.
The number of folks who vote fluctuates, but if you care about visual journalism, if you care about our NPPA, then it is your obligation to vote.
I know that I can never explain the day’s news the way our writers do, but what I can do is help the reader feel what it is like to be there and to make pictures that have meaning beyond the objects in the frame.
My role is not to make the candidate look good or make the crowds look impressive. My job is to tell the story.
Been inspired by someone? Perhaps they deserve recognition from the National Press Photographers Association.
In my home office, there are filing cabinets and boxes full of processed film. Tens of thousands of frames, made over a span of 20 years, waiting to be seen again. But that pales in comparison to the volume of images stored on hard drives, to those stored in the cloud and burned to DVDs and CDs over the last decade and a half.
Rattling around in the back of my mind is the same question every photojournalist asks themselves – will anyone ever see this work again?
But my situation is different from what Ron Haviv found himself in – with a couple hundred rolls of film that he had never even gotten around to processing, shot around the world. Now, he’s turned those images into The Lost Rolls book.
I can’t order this … I have too many books and too many pictures to look through … damn it.
As part of our McGill Symposium on Wednesday, October 5, we will be showing Louie Palu’s documentary on his time in Afghanistan here at the University of Georgia’s Henry W. Grady College of Journalism and Mass Communication. Kandahar Journals looks at his time covering the war and its effects on his psychological transformation.
Doors will open at 7:30 and we will start at 8 a.m. in Studio 100 of the Grady College building. Free parking is available in the N09 and N08 lots at the corner of Hooper Street and East Campus Drive. To enter the building, use the entrance next to the exterior stairs on the Sanford Drive side of the building.
No admission charge and Mr. Palu will do a Q&A after the showing.
This short video of Randy Olson talking about his work … whoa.
Especially this line:
If I don’t go somewhere and find something that’s unexpected, then I’m not doing my job. If you can Google what I’m finding out, then everybody already knows about it.
Nice behind the scenes look at what it’s like to cover the London Fashion Week over at CNN. Not quite as fun as it might seem.
Yes, you read that headline right – SanDisk unveiled a prototype of a 1 TB – terabyte SDXC card at Photokina this week.
That’s … so frightening to me. To have so much data in one tiny card, it gives me palpitations just thinking about the risk of losing it.