We are at that point in the year where a bunch of kids are turning in their gear and need to go buy their own. It’s a wonderful support system we have here, but it also shelters them from understanding the costs of this stuff.
Which means when they finally wander over to one of the online retailers and start pricing lenses and bodies, they … uhhh … freak out. As do their parents. And then I get the questions about how they bought a camera and TWO lenses at Costco for $449 last year, why does this one lens cost $2,000?
Well, there are a lot of reasons. The first being because those consumer level lenses are optically slow and terrible for low light situations. Second, they’re pretty poorly made. If you’re photographing birthdays and vacations, they’re great. But if you’re going to make your living off of them and use them for hours and hours every day, they’re not going to hold up.
I have a small list of photojournalists who never disappoint me, storytellers who always make me stop and stare, ponder what they’re showing me, force me to rearrange the neurons in my brain. Michael S. Williamson of the Washington Post is on that list. For years I’ve come back to his work, to his way of seeing, to understand my world and, maybe, dip into his pool of vision.
I would tell young people “Don’t be afraid.” And I don’t want to hear anybody under 40 talking about their “STYLE.” Your style just comes as a result of what you love and what loves you. If you are thinking about style, I will take a bb gun and pop you in the shin…I really will. Because then you are trapped by some “LOOK” some “WAY” of the way YOU see it.
And you know something, when you’re 22, I don’t really care about the way you see it. I want you to cover the event…so I know what happened. Of course, at some point, you mix the two, you can have your vision…you can have a take on life…just don’t forget who you are working for.
Yeah, a lot of his social media images are filtered, but the core vision in them … I hope to see something so well some day.
What you notice about the photo is the facial expressions. With those single bar masks, you can see so much more of the humanity of the game. You don’t see anything today. It’s all covered up. The other thing that’s striking is the natural light. Playing an outdoor game in daylight gives you such a sense of place. When you play in a dome in Dallas or New Orleans, it kind of sucks the reality out of the game.