On the Ground Coverage

The New York Times’ Lens blog has a post and video up of staff photographer Ozier Muhammad covering the People’s Climate March. A simple take, but worth spending a few minutes on.

Sometimes the size is so overwhelming it’s hard to find a picture.

(Thanks to Grant Blankenship for the link.)

Why We Should Have Cameras in the Supreme Court

The Supreme Court, the highest court in the country, does not allow cameras – either still or video – in its courtroom for oral arguments. They allow sketch artists and release audio recordings, but no visuals.

John Oliver thinks they should

For the record, so do I.

Updating Sideline Policies – Monopods Are Allowed, Stop the Hysteria

Oklahoma University has updated their sideline police following an incident on Saturday where a player was injured after leaving the field and landing on a $10,499 lens.

There are many posts in other forums complaining about the banning of monopods used to support long lenses – THERE IS NO SUCH BAN. Read the statement from Oklahoma University:

No tripods are permitted on the field at any time. This includes monopods that are utilized to sit on during games. Monopods attached to cameras are permissible.

Could the policy be better? Yes – every college and pro football team I’ve ever covered has allowed far too many people on the sidelines. This section I take issue with:

With all sports hosting prospective student-athletes at football games, please be aware that the home sideline and the south end zone are typically more crowded than the visiting sideline and the north end zone.

Prospective students should not be on the sidelines during the game. Period.

Players? Yes. Coaching staff? Yes. Trainers? Yes. Legitimate, accredited media? Yes. Big donors? No. Prospective athletes? No.

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The Dangers of Sideline Work

On Saturday, Mike Simons of the Tulsa World had a $10,499 lens destroyed. Today, he apologized for hurting Oklahoma’s Sterling Shepard.

Simons is a class act, folks.

Let this be a warning to all shooters on the sidelines – if you watch the video, you’ll see him move out of the way easily. Why? He was on his knees, not sitting but kneeling. Had he been sitting, as I’ve seen way too many shooters do, he would have been flattened along with his glass.

Pay attention.

And to the athletic departments that hand out field passes to well-heeled alumni, knock it off. It’s a safety issue for your players and the journalists there to cover them.

Slivers and Shadows

So, here’s my native New Englander coming out … but I’d love to see someone try this at other fields, chasing slivers and shadows of light like the Boston Globe’s Stan Grossfeld did at Fenway Park this season.

Having spent some later afternoon time inside the University of Georgia’s Sanford Stadium, there’s a cool project just years away from my office.

Cool trivia: Without UGA’s J-school, Sanford Stadium wouldn’t exist. Anyone want to tell me why?

Pictures From a Road Trip

I used to think Scott Strazzante’s Common Ground project, which was shot over 14 years, was a big investment.

Then I heard about Gunther Holtorf who, while not a photojournalist, used photography to document an epic road trip. How epic? Think about this: he visited 177 countries over 26 years using the same vehicle, which he put 550,000 miles on.

The BBC has put up a deeper story about him, as well. (I will admit I’m a little annoyed that the BBC flipped a video clip …)

How do you survive that much time on the road?

There are some people who, faced with 99 positive things and one negative, focus on the negative thing, he suggests. “I am the other way round. If there are 99 negative and one positive, I focus on the positive.”

Internships and Fellowships, A List

Over at the Poynter Institute, Benjamin Mullin has compiled a list of 33 journalism fellowships and internships with upcoming deadlines. Some very good leads in there, worth poking through them.

“You Can’t Hide Hell”

Agence France-Presse’s Roland de Courson posted a chilling piece about their photo editors who have to look through all of the images coming out of the Middle East. Reading this gives you an entirely new perspective on hell.

Commenting on how the job has changed since the start of the Iraq war more than a decade ago, photo editor Marina Passos said:

What has changed is that the horrific images used to come once or twice a month. Now it is every day.

I hope AFP is offering counseling to those editors. Regardless of whether they feel they want it, they will need it.

And Over at PBS …

there’s me prattling on about matching sights and sounds on the EducationShift blog.