It’s alarming to read some of this now, that Filo and others were afraid that people would deny the killings of students by National Guard soldiers had happened, that it would be, to use a modern phrase, sold as fake news.
Filo continued to photograph other people’s reactions to the body, angering some students. They yelled: “Why are you doing this?” and “What kind of pig are you, taking pictures of this?” Filo says he yelled back: “No one is going to believe this happened!”
The note he received after winning the Pulitzer Prize is an testament to the role of journalism, that story telling is not a singular goal but a lifetime effort. That note, from fellow Pulitzer Prize winner Eddie Adams, said simply, “Dear John, You have my deepest congratulations. Hold your head up high. Now, let’s see what you can do tomorrow.”
(Thanks to Katy Culver at the University of Wisconsin for the lead.)
In 1942, Dorothea Lange was hired to document the collection and internment of Japanese-Americans. The images she made, owned by the government, were considered not suitable for publication and impounded, lost in the National Archives until 2006.
The morning brought news that Fidel Castro had died at the age of 90. A click to The New York Times brought me to this video that has some of the amazing work that Jack Manning did during a short trip to Cuba in 1964. Even if you turn the sound down (which I don’t recommend you do, as Richard Eder’s story is fascinating), the images are a text book example of how to document a person within their place and time.
There’s a lyrical sense to his work that I have loved for decades. Yeah, they are expensive, but this is another revenue stream for wonderful documentary work. And #12 is just such a wonderful moment …