Category Good Work

“I wanted to stop her crying”

It’s an image everyone is talking about, a little girl crying as her mother is searched by U.S. Border Patrol agents. It’s an image that took John Moore a decade to make.

“I have no way of knowing if things will be okay.”

Journalism matters.

Visualizing Autism

I am going to put this right up front – I think Craig Walker may be one of the most important photojournalists of our time.

He won earned two Pulitzer Prizes while at the Denver Post, one for a story on a kid joining the Army and a second on a Marine coming back from war. This week, the Boston Globe published Raising Connor, the story of a 13 year old boy with autism.

Walker invested the time, invested the energy, invested the compassion that this story needed. It is a shining example of what Roger May refers to as heartwork.

Not noted in the story, but due acknowledgment, are the editors who gave Walker the ability to make this story happen. It is stories like this that give us a true insight into what is happening in our communities, that let us both see and feel.

Last night, I sent another group of visual journalists out into the world at the University of Georgia commencement ceremony. We talk about stories that illuminate, educate and resonate – this story is what I mean by that.

Seeing the South

I have a couple of friends, photojournalists with common but wide backgrounds, and we keep talking about doing some kind of project together. A road trip, an essay, a deep exploration of a place.

But we just keep talking about it, mostly because that’s all we have time for. And seeing pieces like this Andrew Moore gallery on the Bitter Southerner just makes me want to go even more.

Now that’s great storytelling.

Printing Out of Time

My darkroom days are, thankfully, in the past. I was never enamored with the process of photography, it was the message and meaning of an image I fell in love with. The ability to bring someone somewhere, to let them bear witness.

That said, I do appreciate the work of masters in the craft and the Cibachrome prints of Christopher Burkett are enchanting. That his days in the darkroom are numbered is, truly, saddening.

From War to Fashion

Every now and then I come across someone I’ve never heard of and wonder how I missed them … Toni Frissell is the latest, as featured by Alan Taylor at The Atlantic.

Theres a simple elegance to her work that shows in the fashion and war work, clean compositions and nice moments.

A Narrow Slice if History

Hondros, a film about the late photojournalist Chris Hondros, is now open in select cities. Producer Greg Campbell, a friend of his, spoke with Christopher Booker for PBS News Hour.

Because I think Chris knew very well that there were also not a lot of happy endings after he snapped the shutter on his camera. And I’ve heard him say several times. That’s as much as journalists and photographers are recording history, it’s maybe more accurate to just say that they’re recording a very narrow slice of history. And there are usually some of the most traumatic events of a person’s life and I think Chris really wanted to follow up with stories to try to present a wider picture of what what occurred.

On Creativity

This piece from Photo District News on Claire Rosen’s book Imaginarium is worth some time, even if just for this one quote:

Our culture has shifted in such a way that it’s easier to be a consumer of content rather than having individual experiences.

Think about that as you work on your stories – what can you show that can’t be seen elsewhere? There is no point in making images like everyone else, the distribution model is such that you can’t compete with obvious imagery, you have to go where others are not.

Seeing Color in the Positive

My friend David LaBelle writes about meeting a shared hero, Gordon Parks, and one of his students who shares his vision.

Since my youth, I’ve always seen award winning photos that contained a person of color suffering. The positives are rarely shown. That has inspired me to attempt to change the narrative by photographing people of color in a positive light, via celebration or any other time their suffering is not being exploited.

The Value of Photo Editors

Nice piece over at National Geographic on the relationship between photo editors and photojournalists. This is a relationship we all need to understand, need to take advantage of and/or need to find for ourselves.

China’s 79-Year-Old Sports Photographer

Hong Nanli is my new sports photography hero and will be yours, too.

(Thanks to Mark Hertzberg for the link.)