Category Business & Industry

Reuters Launches Grant Program for Students

Reuters has developed a grant program to help photojournalists and photojournalism students advance their skills and tell stories that need to be told. There will be up to eight grants, each up to $5,000. The results of the projects will be distributed via Reuters’ photo service, as well.

Start writing. Deadline to apply is December 10.

Pieces of Advice

Independent photojournalist Yunghi Kim, who has put a lot of effort into help educate others on good business and copyright practices, has assembled a nice collection of comments from ten women photojournalists.

I love this from Jane Evelyn Atwood:

I don’t like to be called a “female photographer”. We don’t refer to Salgado or Cartier-Bresson as “male photographers”. I feel that calling us “female photographers” perpetuates the idea that we are “lesser than”, in some way. It defines us by gender rather than by the quality of our pictures.

The term “female photographer” is sexist.

All of the women in this piece are worth studying.

The Unthreatened Give

Buried in this nice piece by Eric Minton on photographer Stephen Green is this brilliant quote about mentoring:

The most talented are the most giving; they are unthreatened, and they want you to get it right.

It’s true. As an educator, I bring photojournalists and editors in to my classroom and workshop spaces all the time. How I choose them isn’t a mystery – I choose them because I trust they will give back.

Visual journalism is a continuum, it existed before we started and it will exist after we leave. I tell my kids that knowledge isn’t theirs and the pros who get to work with my kids understand that.

(Thanks to Mark Hertzberg for the link.)

Women in Photojournalism

This, to me is a must- and first-read on the topic: Andrea Billups look at Women in Photojournalism, Opportunities and Independence.

Why we still have this conversation in 2017 is beyond me, but we will keep having it until there’s no longer a need.

Auto Photo Business

If you’ve spent more than four minutes with me, you know one of my passions lies deep in the automotive realm. Old cars, new cars, broken cars and the old, new and broken people that go with them – I love being a part of those stories.

So it should come as no surprise that I tend to look at a lot of car photos and read a lot about the people who also love cars. Amy Shore has been taking the automobile photo world by storm of late and she’s put together a very long, very detailed post on what you need to know to get into the business. Really, even if you never want to photograph a car, the processes she talks about apply to you, too.

You can have a crap photographer with the best camera on the market and they’ll create high-quality crap photos. Or you can have a fabulous photographer only shooting with their mobile phone and get more Instagram followers than you or I will ever have because their ‘eye’ for an image is amazing.

It is well worth a good chunk of your weekend.

She was also profiled on the Mercedes-Benz site, which concludes with a short video of her.

The Scent of Nostalgia

I’ll admit to suffering from nostalgia. I like old cars – on the weekend, when I don’t need to be anywhere. I like old cameras – for the mechanical precision and the engineering sensibilities. I like old houses – for they have stood the test of time and adapted.

And I still read print, on the weekends, when I have the time to peruse and then wash my hands.

But, on all other days, I like my digital cameras that don’t force me to be exposed to toxic chemicals. I like my reliable, safe modern car. And I like my news delivered in the most appropriate medium, and that isn’t always text and still photos on a printed page.

Still, this is kind of cool … I remember touring the Globe and seeing the presses as a kid. I remember my few meetings on Morrissey Boulevard when I was looking for work or buying a lens from one of the staff photojournalists there.

The scent of ink will always be a little sweet to me, in the same way the smell of my 51 year old Mustang is nice on a Saturday morning … but not on a Monday commute.

Finding Tereska

Tereska life magazine spreadOne of the somewhat lesser-known founders of the Magnum Photos collective is also one of my favorites, David Chim Seymour. Carole Naggar at Time takes a look at the search to find one of the kids from his 1948 story on how millions of children had survived World War II.

These follow-up stories (like the search for the Afghan girl years ago) are just fascinating to me. Intellectually, we know the people we document existed before and after the moment they were photographed. Emotionally, we tend to take that one moment in time as representative of their lives and that’s a dangerous thing.

Getting Found on Instagram

Is Instagram a viable way of getting found? Elisabeth Sulis Gear at FeaturesShoot talked with six photo editors to learn how they use the social media photo platform to research photographers.

Secret Deals During WWII

Fascinating story about how the Associated Press cut a deal with the Nazis to get images out of Germany during World War II.

I find some fault or under-reporting of this story in how they describe whether member news organizations knew they were publishing Nazi propaganda. There is a difference between the captions the AP transmits with photos and the cutlines that news organizations publish. Using a few published clips as evidence that the AP didn’t notify members is, at best, incomplete reporting and, at worst, incorrect reporting. Without seeing how the original Wirephotos were sent it’s impossible to know what the AP told its members.

Still, a lot to talk about in an ethics lesson here.

Train Track Tragedies

Watch this. NOW.

And stop taking stupid photos on train tracks.

Only thing I disagree with is his statement about “trains plowing through without warning.” The train belongs there, the photographers and models are the ones there without warning.